The Meters - The Meters (1969)

The Meters are an influential American funk band from New Orleans.

Art Neville was the eldest of four brothers (the others being Aaron, Charles and Cyril) who grew up surrounded by music in New Orleans. He learned piano, and during the 50s led a group called The Hawketts, who had a regional hit in 1954 with "Mardi Gras Mambo". He also recorded some singles as a solo artist, the best being the Allen Toussaint ballad "All These Things", which was a hit in 1962. In 1966 he formed a new band, Art Neville & The Neville Sounds, which featured his brothers Aaron and Cyril on vocals, and a new lineup of musicians. They never recorded but for a short period of time were one of the hottest live act in New Orleans.
The Neville Sounds did not last, as Art found he had a particular musical connection with the rhythm section, and they went out on their own. This lineup of Art (organ), Leo Nocentelli (guitar), George Porter Jr. (bass) and Zigaboo Modeliste (drums) developed a distinctive sparse and funky sound, and were hired by Allen Toussaint as the backing group for artists he was producing, including Lee Dorsey and Betty Harris. They soon began recording instrumentals by themselves, and settled on the name The Meters.
In 1969 they had two Top 10 R&B hits on Josie Records with the instrumentals "Sophisticated Cissy", which got to #7, and "Cissy Strut", which reached #5. A full album featuring these and other instrumentals came out the same year, showcasing their unique and brilliant brand of New Orleans funk.

|> Look-Ka Py Py (1970)

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Albert King - Years Gone By (1969)

Albert King was a highly influential American blues guitarist and singer.

1968 saw Albert King release a couple of successful singles on Stax Records - "Cold Feet" got to #20 on the R&B chart, and "(I Love) Lucy", a tribute to his guitar, got to #46. They weren't featured on the any studio albums except the 1969 compilation King Of The Blues Guitar (which was essentially the Born Under A Bad Sign album with a few songs removed to make way for the singles and some b-sides).
His second full studio album on Stax was Years Gone By, also released in 1969, and again recorded with backing from Booker T & The MGs, and produced by drummer Al Jackson Jr. Another collection of excellent electric blues with the clean production and tight, funky arrangements typical of the Stax studios.

Live Wire / Blues Power (1968) <|> Blues For Elvis (1970)
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Sandy Denny - Like An Old Fashioned Waltz (1974)

Sandy Denny was an English singer-songwriter, best known for her role as lead singer for folk-rock band Fairport Convention.

In 1973 Sandy Denny recorded her third solo album, which represented something of a stylistic shift for her. It moved away from her English folk roots, instead focusing on a piano-based songs with rich string arrangements (apparently in an attempt to appeal to a wider audience). It also featured a little jazz, with with the inclusion of two old standards. All the other songs were Denny originals.
It was a fine album, and Denny put a band together to tour in support of it. However its release was delayed and the tour never took off. By the time the album finally saw release in 1974, she had actually rejoined Fairport Convention and gone on tour with them, and would stay with her old band for another studio album.

Sandy (1972) <|> Rendezvous (1977)
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Irma Thomas - Wish Someone Would Care (1964)

Irma Thomas is an American soul singer. 

In the early 60s Irma Thomas had recorded in New Orleans for Joe Banashak's Minit Records under the guidance of producer/songwriter Allen Toussaint, and had scored some local hits. In 1963 Minit was acquired by Imperial Records, which was subsequently itself sold to Liberty Records the same year. Luckily Thomas was kept on board, and in 1964 she recorded new material in L.A. The L.A. sessions produced what would turn out to be her breakthrough hit, the self-penned soul ballad "Wish Someone Would Care", which charted nationally at #17 on the Billboard Hot 100.
Her debut album quickly followed, some excellent soul music, featuring covers of Percy Mayfield's "Please Someone To Love" and Little Willie John's "Need Your Love So Bad". It also featured "Time Is On My Side", by Jerry Ragavoy, which The Rolling Stones would cover in an almost identical arrangement later the same year (it gave them their first Top 10 hit in the US). Though not technically the originally (it had been recorded the previous year by jazz trombonist Kai Winding as an almost-instrumental), Irma Thomas's take is generally seen as the definitive version of this song.

|> Take A Look (1966)
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Kris Kristofferson - Jesus Was A Capricorn (1972)

Kris Kristofferson is an American country music singer-songwriter.

Jesus Was A Capricorn was Kris Kristofferson's second album release of 1972. It presented a collection of ten new songs in his distinctive story-telling style. By this time he was in a relationship with singer Rita Coolidge, and one of the songs he performed as a duet with her. Another guest vocalist was singer-songwriter Larry Gatlin, who sang his own "Help Me" with Kristofferson (the one non-original song on the album). With a similar spiritual theme was "Why Me", which was released as single and became a big hit, reaching #1 on the country chart and #16 on the Billboard Hot 100. It turned out to be the one and only #1 hit of Kristofferson's career, and the album marked the high point for him in terms of commercial success - his subsequent albums would all sell in increasingly smaller quantities.

Border Lord (1972) <|> Spooky Lady's Sideshow (1974)
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JJ Cale - To Tulsa And Back (2004)

JJ Cale was an American singer-songwriter and guitarist.

1996's Guitar Man was followed by the biggest gap between album releases in JJ Cale's career - 8 years. He was now into his 60s, so perhaps a slowing of pace was in order. Nevertheless he was still touring. Into the new millenium, he put out To Tulsa And Back aged sixty-six, proving he still had it and age was in no way affecting his style. Indeed the opening track, "My Gal", turned out to be one of the tightest, funkiest songs in his extensive repertoire. The rest of the album presented his usual mix of cool, bluesy sounds, some of them with quite a modern sheen to the production, but all unmistakeably JJ Cale.
Following his 2004 tour in support of the album, a tour documentary DVD was released in 2005, also under then name To Tulsa And Back. Also in 2004 he appeared as a guest at Eric Clapton's Crossroads Guitar Festival, exposing his music to a legion of new guitar fans who had previously only known his songs through Clapton's (and other artists') covers. 

Guitar Man (1996) <|> Roll On (2009)
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Spooner Oldham - Pot Luck (1972)

Spooner Oldham is an American songwriter and keyboard player.

Born in Alabama in 1941, Dewey 'Spooner' Oldham began his music career playing piano in various high school bands. By the early 60s he was finding work as a session musician at Rick Hall's Fame Studios in Muscle Shoals, and quit college to pursue music full-time. He became the house keyboard player at Fame, playing on countless R&B records recorded there. His distinctive playing can be heard on hits such as Wilson Pickett's "Mustang Sally" (recorded at Fame) and Percy Sledge's "When A Man Loves A Woman" (recorded at the neighbouring Norala studio). When Atlantic Records producer Jerry Wexler brought Aretha Franklin to record at Fame in 1967, Oldham contributred the distinctive electric piano part on what turned out to be her breakthrough hit, "I Never Loved A Man (The Way I Love You)". He was invited back to New York for future Aretha sessions, and appeared on many of her subsequent hits.
As well as being kept busy with session work, Spooner Oldham developed into a talented songwriter whilst at Fame, mostly writing in partnership with Dan Penn. Songs they wrote together included hits such as James & Bobby Purify's "I'm Your Puppet", Percy Sledge's "It Tears Me Up" and Joe Simon's "Let's Do It Over", plus a myriad of lesser-known gems recorded by all sorts of R&B artists at Fame (demos of many of these songs, sung by Penn, can be heard here).
In 1967 Oldham left Muscle Shoals, following Dan Penn to work at Chips Moman's American Sound Studio in Memphis, where he continued to play keyboards and write. Penn/Oldham hits from this era include "Cry Like A Baby" by The Box Tops and "Sweet Inspiration" by The Sweet Inspirations. 1969 saw him leave Memphis and move to California., where he had no trouble finding work in the L.A. studio scene. He went on to play on records by artists including Gene Clark, Rita Coolidge, Jackson Browne, Linda Ronstadt, Roger McGuinn, The Everly Brothers, and others...
A modest little Spooner Oldham solo album came out in 1972. His singing had never really been heard before, but he turned out to have quite a warm, likeable voice. Pot Luck featured a number of new songs, plus a cover of "Will The Circle Be Unbroken", and a medley featuring a number of songs he had originally played on.
|> Spare Change (1982)

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Bonnie Bramlett - It's Time (1974)

Bonnie Bramlett is an American singer, best known for the husband-and-wife duo Delaney & Bonnie and Friends which was active from 1967 to 1972.

Bonnie Bramlett's second solo album came out in 1974 on Capricorn Records, home of The Allman Brothers Band and many other southern rock acts. Among the cast of backing musicians could be found members of the Allman Brothers (Gregg Allman, Butch Trucks and Chuck Leavell), members of the band Cowboy (another Capricorn act), and guitarist Eddie Hinton. Songs included the title track by Scott Boyer of Cowboy, a couple from Hinton, "Cowboys And Indians" by Bobby Charles, Gregg Allman's "Oncoming Traffic", Ivory Joe Hunter's "Since I Met You Baby" and Jackie Wilson's "Higher And Higher". The result was a fantastic album of Southern rock / R&B, with Bramlett's soulful vocals front and center throughout.


Sweet Bonnie Bramlett (1973) <|> Lady's Choice (1976)
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Dr John - City Lights (1978)

Dr John (real name Mac Rebennack) is an American singer-songwriter and musician, best known as a pianist.

After a couple of quiet years in terms of album releases (during which he performed with The Band at The Last Waltz), Dr John came out with City Lights on Horizon Records in 1978. It was a fine album, made up of all new original songs, some of them co-writes with renowned rock & roll lyricist Doc Pomus, plus one co-written with Bobby Charles and one with Alvin Robinson. With the notable exception of the opening track "Dance The Night Away With You", the album was quite different to his previous New Orleans-styled work, which made sense considering it was recorded in New York with some top session musicians of the late 70s. Much of it had a slick, polished sound, in line with the production aesthetics of the day, but thankfully rather than taking his music in the direction of disco it gave it a smooth, sophisticated sound which suited his character well.

Hollywood Be Thy Name (1975) <|> Tango Palace (1979)
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Ry Cooder - Get Rhythm (1987)

Ry Cooder is an American musician, best known for his skill as a slide guitarist and his interest in American roots music.

1987's Get Rhythm was Ry Cooder's first new studio album in five years, as he had spent most of the 1980s working on film soundtracks (a selection of which can be heard here). It featured his usual mix of American roots music forms, but was notable for focusing mostly on an electric blues-rock sound. The band backing him throughout featured some familiar names whom had already worked with him over the years - pianist Van Dyke Parks, accordion player Flaco Jiménez and drummer Jim Keltner. Backing vocals were provided by Bobby King, Terry Evans, Arnold McCuller and Willie Greene, Jr. Songs covered on the album included the title track by Johnny Cash, Chuck Berry's "Thirteen Question Method" and Elvis Presley's "All Shook Up". One standout song was "Across The Borderline", a beautiful original written by Cooder with John Hiatt and Jim Dickinson. This song had already been featured before on Cooder's soundtrack to the 1982 film The Border, there sung by Freddy Fender - on the new version, Cooder shared lead vocals with actor Harry Dean Stanton (who had also starred in another film Cooder had done the soundtrack for - 1984's Paris, Texas).
It turned out to be his last solo album for a long time, as through the next decade Cooder focused on collaborations with other artists and more film soundtracks.

The Slide Area (1982) <|> Chávez Ravine (2005)
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Eddie Hinton - Dear Y'all: The Songwriting Sessions (1969-1980)

Compilation 
Eddie Hinton was an American guitarist, singer and songwriter. 

Eddie Hinton was born in 1944 in Jacksonville, Florida and grew up in Tuscaloosa, Alabama, where he was in a band called The Minutes. They were popular locally, but after several years on the road with them Hinton quit and moved to Muscle Shoals in 1967, to find work as a session guitarist. He worked mostly at Quin Ivy's Quinvy studio, not just as a guitarist but as a songwriter and producer, usually in partnership with Marlin Greene. One of their most successful songs from this period was the soul ballad "Cover Me", which was a modest hit for Percy Sledge. Another well known song of his, "Breakfast In Bed", was written with Donnie Fritts and was recorded by Dusty Springfield for her Dusty In Memphis album. By the 70s Hinton had become the regular lead guitarist at the Muscle Shoals Sound Studio.
As well as his talents as a songwriter and guitarist, Hinton was a brilliant blue-eyed soul singer, much respected and admired by those who worked with him in the music business. Many thought he could have been a star, but unfortunately it never happened, and his debut solo album would have to wait until 1978 to see release. If he had released an album earlier in the decade it surely would have been fantastic, and recently Zane Records have released a series of CDs compiling all his demos and previously unreleased recordings from this era. This it the first of them, and features nineteen excellent songs which mostly showcase his talents as a singer. Some excellent southern Soul and R&B music. Includes his own version of "Cover Me". All the songs are originals, with the exception of a rootsy Chuck Berry cover and one song written (and produced) by Dan Penn - "Dreamer" was the b-side of a 1969 solo single (it was also recorded by Patti LaBelle & The Bluebelles), and is perhaps the best example here of Eddie Hinton as one of the greatest white soul voices.

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B.J. Thomas - On My Way (1968)

B.J. Thomas is an American singer best known for his hits of the 60s and 70s. 

B.J. Thomas had scored his first hit in 1966 with a cover of Hank Williams' "I'm So Lonesome I Could Cry" which reached the Top 10. Three albums and several lesser hits followed. In 1968 he went to record at Chips Moman's American Sound Studio in Memphis, and working with the studio's house songwriters and session musicians, who took an instant liking to him, his then-flagging recording career got a serious boost.
Two hits came out of the partnership in 1968, both written by Mark James. The first was the brilliant "Eyes Of A New York Woman", featuring guitarist Reggie Young's electric sitar and Mike Leech's soaring string arrangement. It charted at #28. The second, again featuring the electric sitar, was "Hooked On A Feeling", which reached #5 and became one of Thomas' best-known songs. A full album followed, which showcased not only Thomas' superb vocals but the talents of the studio team as well (instrumental backing came from the core group of Reggie Young, keyboardists Spooner Oldham and Bobby Wood, bassist Tommy Cogbill and drummer Gene Chrisman, with Leech's strings adding some extra sheen throughout). As well as songs from the American Sound team (including Wayne Carson's "Sandman", which they had also recorded with The Box Tops earlier the same year), there were covers of The Doors' "Light My Fire" (following the José Feliciano hit arrangement from the same year), Ray Stevens' "Mr Businessman" and the country classic "Four Walls".

Sings For Lovers And Losers (1967) <|> Young And In Love (1969)
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Lonnie Mack - Lonnie Mack & Pismo (1977)

Lonnie Mack is an American singer-songwriter and guitarist.

Signed to Capitol Records in the late 70s, Lonnie Mack made a brief return to recording with two albums both released in the same year. After the country-flavored Home At Last, Lonnie Mack & Pismo was something of a return to blues-rock. Indeed his flashy electric guitar playing featured prominently for the first time since the 60s. The band Pismo consisted of keyboard player Stan Szelest, bassist Tim Drummond and drummer Ian Wallace. Guitarist David Lindley also made a guest appearance.
The album was no doubt welcomed by those who missed Mack in his role as an electric guitar slinger, but it lacked any truly memorable songs. 1977 turned out not to be quite the comeback it could have been - that would have to wait until the 80s.

Home At Last (1977) <|> Strikes Like Lightning (1985)
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Barbara Lynn - Here Is Barbara Lynn (1968)

Barbara Lynn is an American R&B singer, songwriter and guitarist.

In 1967 Barbara Lynn was signed to Atlantic Records, the label no doubt hoping for a repeat of her big 1962 hit "You'll Lose A Good Thing". It didn't quite happen, though they did manage to get a couple of modest R&B chart entries out of her, the first being "This Is The Thanks I Get", which charted at #39. A full album followed, showcasing her distinctive soul / R&B sound at its very best, and including a new version of "You'll Lose A Good Thing". She kept recording for Atlantic into 1968 (including some sessions at Fame Studios in Muscle Shoals, produced by Spooner Oldham), and some more singles were released (which unfortunately did not chart), but then it appears she didn't record at all for the next few years.
Atlantic got one more hit out of her though, as "(Until Then) I'll Suffer", originally from the 1968 album, became a surprise R&B chart entry at #31 in 1971. A few more singles came out in '72 and '73, the last few of which were new recordings, and then her contract with Atlantic was up. Around this time she apparently got married and started a family, which might account for her lack of recording activity. After her Atlantic years she returned to touring the Southern States, and did release a few singles on a variety of small labels throughout the decade.
Featured here with the original album Here Is Barbara Lynn is a generous helping of bonus tracks, including all the Atlantic singles and most of the b-sides not on the album itself.

You'll Lose A Good Thing (1963) <|> You Don't Have To Go (1988)
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Bobby Charles - Last Train To Memphis (2004)

Bobby Charles was an American singer-songwriter.

Into the latter half of his career Bobby Charles actually began releasing albums (he only ever released one in the first thirty years of his music career!). After 1994's Wish You Were Here Right Now, he released Secrets Of The Heart in 1998, which contained half new material and half old material (the old songs were originally from 1987's Clean Water, and the six new songs I have put on this compilation here). His next collection of new songs had to wait until 2004, and as was now typical for a Bobby Charles its songs came from a variety of sources spanning several decades. Last Train To Memphis came out as a double CD, and on the surface can be taken as a sprawling double album packed full of brilliant songs. However on closer inspection, all the songs on the second disc can be found on the Clean Water, Wish You Were Here Right Now and Secrets Of The Heart albums. The first disc is also compiled from recordings from all over the place, both old and new, but as none of these songs had actually seen release on an album before, it can be considered 'all new'. To simplify matters, I am just offering you the first disc of 'new' material, as everything on the second disc can be found on previous albums.
The new songs cover the broad territory between R&B and country, and contain some real gems. The list of musicians who can be heard behind him is extensive, which makes sense considering the songs came from such a wide range of sessions. Among those who can be heard are pedal steel man Ben Keith, keyboard player David Briggs, both Dan Penn & Spooner Oldham, guitarists Fred Carter, Jr. and Sonny Landreth, New Orleans R&B man Clarence 'Frogman' Henry, fiddle player Rufus Thibodeux, both Geoff and Maria Muldaur (on seperate tracks over ten years apart), Neil Young and Willie Nelson.

Wish You Were Here Right Now (1994) <|> Homemade Songs (2008) 
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Arthur Conley - Sweet Soul Music (1967)

Arthur Conley was an American soul singer.

Arthur Conley was born in Georgia in 1946, and grew up in Atlanta. Between 1959 and 1964 he was lead singer of Arthur & The Corvets, with whom he released a few singles on local Atlanta labels. The big stepping stone in his career was in 1965 when Otis Redding heard his song "I'm A Lonely Stranger", and invited him to come and record in Memphis. He became Redding's protégé, and at the Stax studios they recorded two singles (a new version of "I'm A Lonely Stranger", and "Who's Fooling Who") which were released on Redding's newly-formed Jotis label. They then went to Fame Studios in Muscle Shoals for two more singles ("I Can't Stop (No, No, No)" and "Take Me (Just As I Am)", both Dan Penn compositions) which were released on the Fame label.
The song which made Arthur Conley was "Sweet Soul Music", which he and Redding wrote together, basing it on Sam Cooke's "Yeah Man". A celebration of the soul genre which name-dropped The Miracles, Lou Rawls, James Brown, Sam & Dave, Wilson Pickett and Otis Redding himself, it was recorded at Fame and released on the Atco label. It became a massive hit, charting at #2 on both the Pop and R&B charts. It was also very popular in Europe, getting to #7 in the UK.
Conley's debut album quickly followed, featuring his new hit, the previous four A-sides, and other material recorded at both Stax and Fame (including songs written by either Redding alone or Redding and Conley together). It made for a great southern soul album, interesting in the way the Stax and Fame material can be heard side by side (the Stax recordings sound lean and sparse, compared to the richer, more full-sounding Fame recordings).

|> Shake, Rattle & Roll (1967)

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Aaron Neville - The Minit Recordings (1960-1963)

Compilation 
Aaron Neville is an American soul singer.

Aaron Neville was born in New Orleans in 1941, the third oldest of four brothers (the others being Art, Cyril and Charles). All four of them were destined to be important figures in the music of their native city, but it would be many years before they all performed together as The Neville Brothers. Aaron started singing in the 50s, with his older brother Art to look up to (Art Neville played piano and sang in a group called The Hawketts, who had a regional hit in 1954 with "Mardi Gras Mambo"). In 1958 Aaron served six months in prison for auto theft, but following his release he got married and started his solo singing career.
He was blessed with an almost angelic voice with a unmistakeable vibrato, and got to showcase it with his recordings for Joe Banashak's Minit label in the early 60s, with Allen Toussaint producing (as he did for other Minit artists including Irma Thomas, Ernie K-Doe, Chris Kenner and Benny Spellman). Neville's first release was a hit, "Over You" getting to #21 on the national R&B chart in 1960. However the follow-up singles failed to chart, and his next success would have to wait until 1966.
No LPs were released during this period, but most of his recordings from this time can be found on various compilations. In fact in 1966 Minit released most of them as the Like It 'Tis album to cash in on the success he saw with the hit single "Tell It Like It Tis" on the Par-Lo label. A bit dubious no doubt, but it made for a brilliant album. This compilation is in actual fact that very same album under a more appropriate name. Some really good, distinctive New Orleans R&B. The real highlights are the slower songs, where Neville truly excells.

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Well here it is as promised, my own album! Twelve original songs, coming to just under 45 minutes. Here it is on my official website, where it can be streamed and purchased as a digital download (including lossles formats such as WAVs) or a physical CD. Or it can be downloaded for free the usual way, here. Also, here is a bonus EP of leftover songs just for the readers of this blog, including a couple of covers (Bobby Charles' "Done A Lot Of Wrong Things" and Robert Hunter's "It Must Have Been The Roses").
Enjoy!

Doug Sahm - Texas Rock For Country Rollers (1976)

Doug Sahm was a Texan singer-songwriter and musician, best known as founder and leader of the Sir Douglas Quintet.

1976 saw Doug Sahm signed to ABC's Dot subsidiary for one album, produced by Huey P. Meaux (who had produced the Sir Douglas Quintet back in the day). The album was credited to 'Sir Doug & The Texas Tornados' (not the same Texas Tornados he formed in 1989), and his new band consisted of Harry Hess (steel guitar), Artwood Allen (rhythm guitar & harmony vocals), Jack Barber (bass) and George Rains (drums). Both Barber and Rains had previously played with him in the Quintet. The Quintet's organist Augie Meyers also made an appearance, and enginer Uncle Mickey Moody contributed some guitar. The album had a consistent country-rock sound, made up mostly of Sahm originals alongside a cover of Claude King's "Wolverton Mountain" and a medley of Gene Thomas songs. It was a very good album, but perhaps suffered from a bad mix. 

Groover's Paradise (1974) <|> Hell Of A Spell (1980)
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Carla Thomas - Comfort Me (1966)

Carla Thomas in an American soul singer. 

Carla Thomas had been Stax Record's first home-grown star, her 1960 single "Gee Whiz" helping get the Memphis-based record label off the ground. Over the next few years Stax developed its own unique sound and identity, recording more hits with The Mar-Keys, Otis Redding and Booker T & The MGs. Carla Thomas released many singles over this four year period, none of which were big hits like "Gee Whiz", but many of which charted well. 1962's "I'll Bring It Home To You" got to #9 R&B and 1963's "What A Fool I've Been" got to #28 R&B. Up until 1965 all her singles were released on the Atlantic label, which was responsible for Stax's distribution in the early days.
In early 1966 her second solo album was released. The sound of Comfort Me was very different to that of her debut over five years earlier, as she was now backed by The MGs and The Memphis Horns, giving her music the lean, sparse R&B sound Stax was by now known for. Three of the songs on the album had seen release as singles, the brilliant title track in 1965 (which didn't chart), and both "No Time To Lose" and "A Woman's Love" in 1964 (which was the year the R&B chart had been temporarily discontinued, so they only appeared on the national pop chart at #67 and #71 respectively). All three songs were written by the MGs guitarist Steve Cropper (he co-wrote "A Woman's Love" with Carla herself). The rest of the songs were freshly recorded for the album, and featured covers of a few well-known pop songs done the Stax way - "What The World Needs Now", "Let It Be Me" and "Will You Love Me Tomorrow".

Gee Whiz (1961) <|> Carla (1966)
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Dan Penn - Is A Blue Bird Blue? (1959-1973)

Compilation 
Dan Penn is an American singer and songwriter.

Dan Penn's first solo album came out in 1973, but he had been making recordings all the way through the 60s, most of them destined to be used as demos for songs recorded by other artists. Recently Ace Records released The Fame Recordings, which featured twenty four of his demos recorded at Fame Studios in 1964 and 1965. However there are still other obscure Dan Penn recordings to be heard, and this compilation brings together another twenty two of them, dating from 1959 to 1973. 
Before he decided to focus on songwriting and producing, he tried releasing singles under his own name (or pseudonyms such as Danny Lee and Lonnie Ray), but none of them ever went anywhere. The earliest was "Crazy Over You" b/w "You Don't Treat Me Right" on the Earth label in 1959. Other singles between 1962 and 1965 were "How's The World Treating You" b/w "Stop Calling Me Baby" (United Artists), "Close To Me" b/w "Let Them Talk" (Fame), "Just As I Am" b/w "Diamonds" (Fame), "I'm Your Puppet" b/w "Is A Blue Bird Blue" (MGM) and "Willie And The Hand Jive" b/w "I Need Someone" (MGM). "I'm Your Puppet" and "Just As I Am" can be found on The Fame Recordings, and all the other sides are here. After James & Bobby Purify took "I'm Your Puppet" to the Top 10 in 1966, Penn decided to focus just on songwriting and stopped releasing his own singles. Also featured here are five more great demos from his time at Fame which cannot be found on The Fame Recordings.
In 1967 he left Muscle Shoals for Memphis to work as a producer for Chips Moman's American Sound Studio. He never released any solo work whilst at American, which is a great shame, as two songs here from 1968 suggest he could have made a wonderful first album at this time - "Nice Place To Visit" and "Love Is Strange" (the former by Donnie Fritts, and the latter a dramatic reworking of the old Mickey & Sylvia hit) have big arrangements complete with strings and backing singers. The compilation is finished off by some early 70s recordings from his own Beautiful Sounds studio in Memphis, where he recorded his debut album.
Note that this compilation is pieced together from a variety of dusty sources, and some of the recordings aren't very good quality, so be prepared for some scratchy vinyl hiss!

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Dion - Wonder Where I'm Bound (1969)

Dion is an American singer-songwriter, best known for his string of hits in the early 60s.

After his run of early 60s hits had dried up, Dion had spent several years in the wilderness before making his comeback with a mature folk-rock sound in 1968, with the hit single "Abraham, Martin & John" and a splendid self-titled album on Laurie Records Following this Columbia Records (who he had been with for these 'wilderness years') quickly cobbled together enough recordings to make an album, to cash in on his sudden return to popularity.
The appropriately-titled Wonder Where I'm Bound was a very interesting mix of different genres, a collection of various stylistic experiments Dion had been making after his original doo-wop / pop sound had fallen out of fashion. He had made some solid folk-rock after The Byrds popularized the genre (complete with jangling guitars and tamborine), and also some startlingly gritty blues after discovering the music of Robert Johnson. The album thus was not exactly cohesive, but the individual songs were all very strong, ranging from raw folk-rock, to lushly orchestrated numbers, to acoustic folk and blues, and one step back into doo-wop with a cover of "A Sunday Kind Of Love". Other covers included the title track by Tom Paxton, Woody Guthrie's "900 Miles", Willie Dixon's "Seventh Son", the blues standard "Baby Please Don't Go", and Bob Dylan's "Farewell" and "It's All Over Now Baby Blue". Overall a very good album showing what Dion had been up to between 1963 and 1968.
 
Dion (1968) <|> Sit Down Old Friend (1970)
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Percy Sledge - Warm & Tender Soul (1966)

Percy Sledge is an American soul singer.

1966 had seen Percy Sledge's career launched by his debut single "When A Man Loves A Woman", a #1 cross-over hit which also helped break the Southern Soul sound to a much wider national audience, and alerted the music business to the sounds coming out of Muscle Shoals. Still recording at Quin Ivy's Norala studio, Sledge's next single was "Warm And Tender Love" (originally recorded and released by Joe Haywood in 1964), which charted at #5 R&B and #17 Pop. 
A second album was quickly put together to capitalize on its success, mostly consisting of cover songs. These included Don Covay's "I'm Hanging Up My Heart for You" (originally a hit for Solomon Burke), Smokey Robinson's "You've Really Got A Hold On Me", Roosevelt Jamison's "That's How Strong My Love Is", Jerry Butler's "I Stand Accused", Jerry Goffin and Carole King's "So Much Love", and even Elvis Presley's "Love Me Tender". It also featured an arrangement of "Try A Little Tenderness", quite different to the famous Otis Redding version (they were both recorded at about the same time, so Redding's version was probably not yet known at Norala).
Despite its reliance on covers, the album was strong, some excellent country-soul done the Percy Sledge way. The one standout original song was "It Tears Me Up", written by Dan Penn and Spooner Oldham, a moody country-soul classic. It became Sledge's third hit when released as a single, charting at #7 R&B and #20 Pop. "Love Me Tender" was also released as a single later on in 1967 and managed to creep into the Top 40.

When A Man Loves A Woman (1966) <|> The Percy Sledge Way (1967)
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I'd just like to say thank you for everyone who uses this blog, the stats (assuming they are accurate) say every month it is getting more and more visits, and the download count is going up, up, up! Every new album I post seems to be getting plenty of downloads from day one, and the figures for some of the older ones, which have been up here for years, is actually quite staggering! I enjoy doing this, but it's only really worth doing if I know people are making use of it, which apparently they are, and the comments I get really mean a lot.

I know for the past few months my posting has slowed down to just a couple of albums a week... That's because my life is getting busier, not because I am running out of albums to share. There is plenty more music on the way!

So thanks to everyone that uses this blog, let me know about it, it encourages me to keep going.

Also, I have been busy recently recording an album of my own music, which I will be offering to you all on this blog the usual way within the next week hopefully. Here's a little preview for you.

Townes Van Zandt - Delta Momma Blues (1971)

Townes Van Zandt was an American singer-songwriter.

Townes Van Zandt's fourth album came out in 1971, by which time he had got divorced was living in New York City, where it was recorded. Like its predecssor from 1969, it presented his songs in dry, sparse, stripped down arrangements that suited them well, with the instrumental ornamentation that was present being subtle and well-placed, allowing his talented guitar picking to stay at the forefront. It featured ten new original songs, some of which rate as among his very best. Like all of his albums up to this point, it wasn't a commercial success (his music was undoubtedly just too bleak and raw for this), but it was more solid proof of him being one of the most talented and poetic songwriters in the country-folk field.

Townes Van Zandt (1969) <|> High, Low And In Between (1972)
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Otis Redding - The Dock Of The Bay (1968)

Otis Redding was a highly influential American singer and songwriter, considered one of the most important artists of the soul genre.

Tragedy struck the music world in December 1967 when Otis Redding died in a plane crash whilst travelling to a gig in Madison, Wisconsin. Also killed in the accident were the pilot Richard Fraser, roadie Matthew Kelly, and members of Redding's backing group The Mar-Kays, Jimmy King, Phalon Jones, Ronnie Caldwell and Carl Cunningham. Only trumpeter Ben Cauly survived. Redding was 26 years old at the time. His funeral was held on December 18th in Macon, Georgia, and was attended by over 4,500 people.
What made his death even more tragic was the fact that his music was still developing, and even greater successes were still on the horizon. Shortly before his death he had written and recorded a song with Steve Cropper which he was very excited about. "(Sittin' On) The Dock Of The Bay" was finished and released less than a month after his death, and it went straight to #1 on both the R&B and pop charts, becoming the first ever posthumous #1 in US chart history. It was also a huge hit in the UK, reaching #3. It was his most successful single and his greatest cross-over success, introducing his music to a much wider audience just a little too late.
There was still a great deal of Otis Redding music which had not been released, and his first posthumous album saw release in February 1968, with "The Dock Of The Bay" as the title track. Three songs were repeated from earlier albums ("Nobody Knows You (When You're Down And Out)", "Ole Man Trouble", and "Tramp", his 1967 duet with Carla Thomas), but the rest of the album was made up of new unheard material. It became his best-selling album, getting to #1 in the UK and #4 in the US. Three more posthumous albums would be released over the next two years, and his fame quickly grew even after his death.

Live In Europe (1967) <|> The Immortal Otis Redding (1968)
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Travis Wammack - Not For Sale (1975)

Travis Wammack is an American guitarist and singer. 

In 1975 Travis Wammack released a second solo album, this time on Capricorn Records, but again recorded at Fame Studios and produced by Rick Hall. It was another blend of rock and R&B styles, with a slicker and perhaps more commercial sound compared to his debut, but still with a distinctively Southern flavour. Again the focus was more on his great vocals rather than any flashy guitar playing. It featured some good covers, including Clyde McPhatter's "A Lover's Question" and Clarence Carter's "Looking For A Fox". It also featured his own composition "Greenwood Mississippi", a song which Little Richard had recorded at Fame five years previously. Two singles from the album made it onto the charts - "Easy Evil" got to #72 and "(Shu-Do-Pa-Poo-Poop) Love Being Your Foo" got to #38.

Travis Wammack (1972) <|> A Man... And A Guitar (1982)
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Clarence Carter - The Dynamic Clarence Carter (1969)

Clarence Carter is an American soul singer, songwrtier and guitarist.

Clarence Carter's second album came out in 1969, another excellent collection of tough, gritty Southern soul numbers recorded at Fame Studios in Muscle Shoals (and featuring guitarist Duane Allman, who was working as a session musician in Muscle Shoals at the time). It featured some interesting covers, with  splendid versions of Etta James' "I'd Rather Go Blind" and Jimmy Hughes' "Steal Away". He also gave R&B makeovers to Tom T. Hall's "Harper Valley PTA" and The Doors' "Light My Fire" (based on José Feliciano's 1968 version). It also had some great originals, one of which gave Carter his second big hit - "Too Weak To Fight" charted at #3 R&B and #13 pop.

This Is Clarence Carter (1967) <|> Testifyin' (1969)
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The Band - The Last Waltz (1978)

The Band were an influential and highly acclaimed rock band formed in the 1960s.

In 1976 The Band retired from touring, but not before giving a magnificent farewell concert on Thanksgiving Day at Bill Graham's Winterland Ballroom in San Francisco. Joining them on stage was an all-star cast of musical guests - Ronnie Hawkins, Neil Young, Joni Mitchell, Neil Diamond, Dr John, Paul Butterfield, Muddy Waters, Eric Clapton, Bobby Charles, Van Morrison, Bob Dylan, Ronnie Wood and Ringo Starr. They were also augmented by a large horn section arranged by Allen Toussaint. The concert was filmed by Martin Scorsese, with plans to turn it into a feature-length film. Meanwhile, they had to fulfil their contract with Capitol Records, quickly putting together their last original studio album Islands in 1977.
Scorsese's film was released in 1978 as The Last Waltz, and has been hailed as the greatest rock concert film of all time. It combined the concert footage with interviews, plus two new soundstage performances - one with guest Emmylou Harris, and the other a great new version of "The Weight" featuring The Staple Singers. The soundtrack to the film was released as a triple LP set, which also featured a few new studio recordings which were combined with the soundstage recordings on the last side of the album as 'The Last Waltz Suite'. 
The result was a fantastic live album, vast and sprawling, with the high profile guests getting their own moments to shine (and many of them benefiting greatly from The Band's support), but none of them ever stealing the limelight from the true stars - The Band themselves. It was the perfect way to go out on a high, for The Band were indeed saying goodbye. Though a new incarnation of the group (minus Robbie Robertson) would reunite and resume touring in the 80s, The Last Waltz marked the end of the road for the original and best-loved incarnation of the The Band, ten years after their remarkable debut album and subsequent success.

Islands (1977) <|> Jericho (1993)
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Tommy McLain - Sweet Dreams (1965-1969)

Compilation 
Tommy McLain is an American swamp pop singer and musician.

Tommy McLain was born in Jonesville, Louisiana in 1940. During the 50s and into the 60s he played in various country and swamp pop groups, with whom he won local talent shows and performed on local TV. He proved to be both an excellent singer and a talented multi-instrumentalist, playing piano, guitar, bass, drums and fiddle. He worked with Clint West whilst with first The Vel-Tones and then The Boogie Kings, and later in 1965 they recorded an excellent duet together - "Try To Find Another Man". He also worked as a DJ on local Louisiana radio.
In 1966 he recorded a swamp pop cover of Don Gibson's "Sweet Dreams", a song which at the time had already provided country hits for Faron Young, Patsy Cline and Gibson himself. McLain's version charted surprisingly high, getting to #15 on the national pop chart (actually the highest-charting version of the song on the pop chart). It also reached #49 in the UK. It briefly made McLain a star, and he went on to appear on Dick Clark's Where The Action Is. He never had any other hits, and so it is this one song he is best known for. He continues to perform throughout the South today.
This compilation, originally released in 1990 by Ace Records, features twenty recordings from the late 60s, including both "Sweet Dreams" and "Try To Find Another Man". It's a great blend of swamp pop, country and R&B, with stripped-down arrangements and excellent vocals from McLain. It features many interesting covers, among them Bobby Charles' "Before I Grow Too Old" (a song originally recorded by Fats Domino in 1960), Robert Parker's "Barefooting", Percy Sledge's "When A Man Loves A Woman", Buck Owens' "Together Again", Ray Charles' "Sticks And Stones", a Fats Domino medley, and another great Don Gibson song, "(I'd Be) A Legend In My Time". 

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Irma Thomas - The Minit Singles (1961-1963)

Compilation 
Irma Thomas is an American soul singer.

Irma Thomas was born Irma Lee in Ponchatoula, Louisiana in 1941. Her family made the move to New Orleans when she was a child, and growing up she sang in choirs at church whilst listening to R&B on local radio stations and jukeboxes. By the age of 19 she already had three children and had been married twice - she kept her second husband's name. She got a job singing with Tommy Ridgley's Untouchables part time as she worked other jobs to support her family, not travelling far outisde of New Orleans. In 1960 she had a single released on the local Ron label - "(You Can Have My Husband But) Don't Mess With My Man" was a national hit on the R&B singles chart, rising to #22. This led to her going on the road for out-of-town gigs throughout the South as she became a popular R&B singer.
In 1961 she recorded for Joe Banashak's Minit Records. Like all the other local New Orleans acts signed to Minit (including Jessie Hill, Ernie K-Doe, Aaron Neville, Chris Kenner and Benny Spellman), she recorded under the guidance of Allen Toussaint, who was responsible for writing and producing some of her best work. Between '61 and '63 she released six brilliant singles on Minit which gave her local hits (they were even played on the white radio stations), the most memorable being the Toussaint composition "It's Raining". Another notable song was "Ruler Of My Heart", which was taken by Otis Redding and rewritten as "Pain In My Heart", giving him one of his earliest hits.
This 12-song compilation features all of her Minit releases, both A and B sides of the six singles. Some charming New Orleans R&B, ranging from bouncy, uptempo horn-driven numbers to string-backed ballads.

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Tony Joe White - Continued (1969)

Tony Joe White is an American singer-songwriter and guitarist.

Tony Joe White's second album on Monument Records quickly followed his first, again produced by Billy Swan. It was another collection of songs in the same distinctive swampy roots-rock style, all originals this time, with backing from Tommy McClure (bass), Mike Utley (organ) and Sammy Creason (drums). One single from the album, "Roosevelt And Ira Lee", charted modestly at #44. Another song on the album has since become White's best-known composition - "Rainy Night In Georgia" was covered by Brook Benton in 1970, who took it into the Top 10. It has since become something of a standard, being covered by a myriad of different artists.

Black And White (1969) <|> Tony Joe (1970)
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Bobby Moore & The Rhythm Aces - Searching For My Love (1966)

Bobby Moore & The Rhythm Aces is an American R&B band originally formed in the 1960s.

Bobby Moore was born in New Orleans in 1930, and joined the US Army in his teens. He formed his first band during the 50s whilst stationed at Fort Benning, Georgia. He was demobbed in 1961, and moved to Montgomery, Alabama, where he put together a new group. The Rhythm Aces were a seven-piece R&B band, consisting of Moore himself (tenor sax), his brother Larry (alto sax), singer Chico Jenkins, guitarist Marion Sledge, keyboardist Clifford Laws, bassist Joe Frank and drummer John Baldwin. They performed locally, and got the chance to support several big name acts including Sam Cooke and Ray Charles.
In 1965 they went to record at Rick Hall's Fame Studios in Muscle Shoals, Alabama, producing the brilliant single "Searching For My Love". It was heard by Leonard Chess, who release it on his Checker label, and it charted nationally at #27 pop and #7 R&B. A full album was recorded, but their subsequent singles were not as successful, and by the end of the decade they had been dropped from Checker.
Though they only ever had one hit, the Rhythm Aces are apparently still around today, performing as a wedding band throughout the South (though Bobby Moore himself died in 2006). Their one original album still sounds fresh today, full of great catchy R&B tunes, and the title song is a real classic.

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The Staple Singers - Soul Folk In Action (1968)

The Staple Singers were an American gospel and soul vocal group.

In 1968 yet another change of record labels found The Staple Singers signed to Stax, which would signal the first real big change in their sound. Since the 50s they had pretty much stuck to the same formula of family group vocals backed by Pops Staples' electric guitar, singing gospel music. However on Stax they started to record with big, full band arrangements, complete with horns and strings. Their first Stax album, Soul Folk In Action, saw them backed by Booker T & The MGs. They were also no longer singing just gospel, though the 'secular' songs chosen for them all had suitable socio-political messages and their music still retained its spiritual core (they had actually been recording similar 'message songs' for the past few years). The songs on the album included some effective covers of Otis Redding's "Sittin' On The Dock Of The Bay" and The Band's "The Weight", plus "Get Ourselves Together" and "The Ghetto", two songs by Delaney & Bonnie Bramlett (Delaney & Bonnie had also been on Stax for one album, but their versions of these two songs interestingly didn't surface until their next album on Elektra records the following year).
Stax also signed Mavis Staples as a solo artist at the same time, and the focus throughout Soul Folk In Action was very much on her as lead singer. There was also less room for Pops' guitar in the bigger arrangements.

Freedom Highway: The Epic Years (1965-1968) <|> We'll Get Over (1969)
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Bob Dyla - Pat Garrett & Billy The Kid (1973)

Film soundtrack 
Bob Dylan is an American singer-songwriter who emerged out of the early 60s folk revival to become an informal chronicler and reluctant figurehead of social unrest. He famously made the move from folk music to electric rock in the mid-60s, and has remained a major figure in music for five decades. 

As the 1970s began Bob Dylan had got off to a dubious start, with two albums (Self Portrait and New Morning) that recieved generally negative reviews. They were followed by his 'wilderness years', as he released no albums of new material throughout 1971 and 1972. Two singles were released, and a greatest hits double LP found room for one of these ("Watching The River Flow"), another good new song ("When I Paint My Masterpiece"), and some re-recordings of older songs, but as good as these two songs were no doubt his fans were left wondering if he had simply run out of inspiration (interestingly the lyrics of these two songs actually tackled this situation head-on).
His next career move was a surprising one, as he was invited to write music for Sam Peckinpah's western film Pat Garrett & Billy The Kid. He wrote an excellent ballad about the titular character ("Billy"), and also got to appear in the film himself as the character Alias. A soundtrack album was released, based around different segments of the "Billy" ballad interspersed with instrumental music (mosly low-key acoustic strumming with suitable embellishments).
However a surprise was in store. The soundtrack also featured a new song which for Dylan was notable for its short-and-sweet format, with just two brief verses and a memorable chorus... "Knocking On Heaven's Door" turned out to be an absolutely beautiful recording, and was released as a single. It actually became one of his biggest hits, charting at #12 in the US and #14 in the UK.
He was still very much lost in the wilderness, but somehow one of his best-known songs had emerged from this strange chapter in his career. It would go on to become something of a cliché as it was covered by a myriad of artists over the yeras.

New Morning (1970) <|> Dylan (1973)
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Arthur Alexander - Arthur Alexander (1972)

Arthur Alexander was an American soul singer and songwriter. 

Since his one and only real big success, 1962's "You Better Move On", Arthur Alexander's career had languished throughout the 60s. He remained much liked and respected by all who came into contact with him or his music, but never had any more commerical success to show for it. In 1971 he briefly resurfaced on Warner Brothers Records for one album, for which his friend Donnie Fritts took him to Chips Moman's American Sound Studio in Memphis. American Sound's veteran bassist Tommy Cogbill produced, and helped craft a charming album of understated country-soul that played to Alexander's strengths. It featured many good new originals (some of them co-written with Fritts), plus a remake of an older Alexander tune, "Go Home Girl". It also featured four songs by songwriter Dennis Linde, one of which ("Burning Love") would soon become well-known through Elvis Presley's hit cover. The highlight of the album without a doubt was "Rainbow Road", a song written by Fritts and Dan Penn back in their Muscle Shoals days, and one which many soul singers tried their hand at around this time. Alexander's is surely the most powerful (and apparently the song was originally written with him in mind as the singer).
A couple of singles also came out of the Memphis sessions, they are included here along with their b-sides as bonus tracks.

The Monument Years (1965-1972) <|> Lonely Just Like Me (1993)
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Eric Burdon & War - Eric Burdon Declares 'War' (1970)

War is an American funk band, formed in 1969 and originally fronted by British singer Eric Burdon.

Eric Burdon had been the lead singer of British R&B enthusiasts The Animals, and in the late 60s, following the breakup of the original group, had relocated to California and put together a new group (credited as Eric Burdon & The Animals, or The New Animals) which went in a more psychedelic direction. However by the end of the decade this group had also broken up, and Burdon was weighing up his options, one of them being returning to England and retiring from the music scene.
He didn't retire though, as in L.A. he met a Danish harmonica player called Lee Oskar. They got on well, and started performing together whilst looking for musicians to put a new group together with. They came to the attention of producer Jerry Goldstein, who helped them in their search by directing them towards a black R&B group known as The Nightshift. They were an eclectic group of musicians, with a great deal of jazz and latin influences which made them stand out from the average R&B band. They joined with Burdon and Oskar, and adopted the unusual and memorable name War. The full lineup consisted of Burdon (lead vocals), Oskar (harmonica), Lonnie Jordon (keyboards), Howard Scott (guitar), B.B. Dickerson (bass), Charles Miller (sax & flute), Harold Brown (drums) and Papa Dee Allen (percussion). An eight-piece, multi-racial, multi-cultural group, with a shared background in rock, pop, blues, R&B, jazz and latin music, they were destined to be something different from the start.
They began their career playing clubs in Southern California, and went on to tour for almost a year before releasing their debut album on MGM Records. Eric Burdon Declares 'War' was a very interesting, explorative mix of rock, blues, funk, jazz and latin sounds, most of the album taken up two lengthy (over ten minute) jams (one based around John D. Loudermilk's "Tobacco Road", the other a slow blues loosely based on Memphis Slim's "Mother Earth"). In many ways it was similar to what Burdon was doing with his last few Animals albums, but with a tighter, funkier backing. Another unusual aspect of the group was their use of the harmonica and saxophone together to fill the role of a horn section.
Burdon's vocals were as powerful and bluesy as ever, and his new band was fantastic, but it was by no means an instant recipe for commercial success. Somehow they managed to it though, as the latin-tinged single "Spill The Wine" became a #3 US pop hit, effectively launching the band's career.

|> The Black Man's Burdon (1970)

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