Showing posts with label Mike Bloomfield. Show all posts
Showing posts with label Mike Bloomfield. Show all posts

Mike Bloomfield - It's Not Killing Me (1969)

Mike Bloomfield was an American guitarist, one of the most highly regarded white blues musicians of the 1960s.

Mike Bloomfield was born in Chicago to a wealthy Jewish family, and as a teenager became a blues devotee, developing into a serious talent on the guitar. In 1964 he joined The Butterfield Blues Band, sharing the guitar duties with Elvin Bishop. Their first two albums achieved universal critical acclaim, and Bloomfield proved himself to be one of the most talented white blues guitarists of the era. He worked extensively as a session musician at the same time, most famously on Bob Dylan's Highway 61 Revisited album and the #2 single "Like A Rolling Stone". By 1967 he had left Butterfield with plans to start his own group, and moved to San Francisco to form The Electric Flag, a group which fused rock, blues, soul and jazz, but ultimately never met their potential. At this time he developed a serious heroin habit, and left The Electric Flag before their album was released. He then worked with Al Kooper (a colleague from the Bob Dylan sessions), playing on one half of the surprise hit Super Session album (he vanished half way through recording, meaning on the second half his place was taken by Stephen Stills). This itself led to some concerts with Kooper, and a second album, The Live Adventures Of Mike Bloomfield & Al Kooper.
In 1969 he released his first solo album, It's Not Killing Me. It consisted of a selection of original songs in an R&B style, but surprisingly focused more on his vocals than his guitar playing. He had never been the best singer, having previously just sung on a few songs with The Electric Flag and with Kooper. As a result, the album really wasn't the best career move, and ended up as a true disappointment to his many fans.

|> If You Love These Blues, Play 'Em As You Please (1976)
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Al Kooper & Mike Bloomfield - The Live Adventures Of Mike Bloomfield & Al Kooper (1968)

Al Kooper is an American singer-songwriter, producer and musician. Mike Bloomfield was an American guitarist, one of the most highly regarded white blues musicians of the 1960s.

After the surprising success of his Super Session project, Al Kooper organised a series of concerts at the Fillmore West with his musical partner Mike Bloomfield (who had fortunately returned after disappearing during the making of Super Session). The band that played the concerts consisted of Kooper (organ/vocals), Bloomfield (guitar/vocals), John Kahn (bass) and Skip Prokop (drums). Their material was mostly R&B based, but also included songs from contemporary pop and rock artists, all performed with a improvisational jam-orientated approach. The concerts were recorded, and a live double album was put together, credited to both Kooper and Bloomfield, and released in 1969.
It was quite a loose, ragged live document, but it made for a fine album, showcasing the talents of Kooper as singer, organist and bandleader, and solidifying Bloomfield's reputation as the best white American blues guitarist. Also it notably featured Bloomfield's vocal deubt, on a cover of Albert King's "Don't Throw Your Love On Me Too Strong". Other cover songs included "Dear Mr Fantasy" by Traffic, "Green Onions" by Booker T & The MGs, "The Weight" by The Band, "The 59th Street Bridge Song" by Simon & Garfunkel, "That's Alright" by Arthur Crudup, "Sonny Boy Williamson" by Manfred Mann, and a couple of Ray Charles numbers. It also featured guest appearances from two other fantastic guitarists - Elvin Bishop (Bloomfield's old bandmate from his days with The Butterfield Blues Band), and Carlos Santana.
By the time of its release Kooper had already begun his career as a solo artist. Bloomfield's own solo debut would also come out that same year.

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Al Kooper, Mike Bloomfield & Stephen Stills - Super Session (1968)

Al Kooper is an American singer-songwriter, producer and musician. Mike Bloomfield was an American guitarist, one of the most highly regarded white blues musicians of the 1960s. Stephen Stills is an American singer-songwriter and musician.

By 1968 Al Kooper had played with Bob Dylan both on stage and in the studio, been a member of The Blues Project, and formed Blood, Sweat & Tears with Steve Katz (subsequently leaving after their first album). He was then working for Columbia Records as an A&R man.
In May 1968 he called up his old friend guitarist Mike Bloomfield and asked him to come to the studio to jam. Kooper and Bloomfield had worked together in 1965 on Bob Dylan's Highway 61 Revisited album. Bloomfield was curently working with his group The Electric Flag, but he was about to leave them. With Kooper on keyboards and Bloomfield on electric guitar, together with bassist Harvey Brooks (who had also worked with them on Highway 61 Revisited) and drummer Eddie Hoh they recorded a series of blues-based jams. Barry Goldberg also played electric piano on two of the numbers.
However Bloomfield was struggling with imsomnia and a heroin addiction - the next day, with more studio time booked, he failed to turn up. So Kooper called up Stephen Stills (who was then leaving Buffalo Springfield) to replace him on guitar.
The resultant album, Super Session, was credited on the cover to all three of them, the first side with Bloomfield and the second with Stills. Horn arrangements were afterwards added to some of the songs. The first side is firmly rooted in blues and is mostly instrumental, driven by Bloomfield's fantastic guitar playing. It's also notable for the nine-minute modal jazz-fusion number "His Holy Modal Majesty". The second side has more focus on Kooper's vocals, with renditions of Dylan's "It Takes A Lot To Laugh, It Takes A Train To Cry" (where Kooper plays 12-string guitar), Donovan's "Season Of The Witch" (which is drawn out into a fantastic 11 minute jam) and Willie Cobbs' "You Don't Love Me". Stills plays some brilliant lead guitar throughout.
Though it was initially conceived as just Al Kooper jamming with some of his famous musician pals, Super Session actually ended up becoming one of his best-known and most successful releases, and also known as featuring some of Bloomfield's best guitar playing.

|> The Live Adventures Of Mike Bloomfield & Al Kooper (1969)

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