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The result was a truly fantastic record, with a modern, urban style yet which echoed with the sounds of the golden days of rock & roll. The songs were mostly covers, both well-known and obscure, including numbers by Arthur Alexander, Jerry Ragavoy and Oliver Sain. The standout songs were a sublime version of the old Elvis Presley hit "Little Sister" (so far removed from the original as to be almost unrecognizable), and a beautiful instrumental reading of Rose Marie McCoy's "I Think It's Going To Work Out Fine". There was also the funky "Down In Hollywood", which Cooder co-wrote with bassist Tim Drummond.
Backing instrumentation came from Drummond, guitarist David Lindley, keyboard players Ronnie Barron and Reverend Patrick Henderson, drummer Jim Keltner and percussionist Milt Holland. There was also a vast array of veteren backing singers, led by long-time Cooder collaborator Bobby King (and also including a cameo from Chaka Khan). These singers were given even greater reign than on any of Cooder's previous albums, and accounted for a large portion of the album's unique sheen and doo-wop credentials.
With Bop Till You Drop, Cooder effectively re-invented himself, and produced what was easily his most accessible album.
Jazz (1978) <|> Borderline (1980)
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